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Events of 2017 - 2018
 
Concerts
 

Friday, December 22, 2017 at 7 pm

 

Tokyo Shinjuku (Japan)
Xth anniversary of the Muromachi  Ensemble
Among very short pieces by various French and Japanese composers, the program will include excerpts from :

    1. « Toute la nature sort de l’or… », « All nature comes out of gold… », for 15 musicians

(shino-bue, shakuhachi, traverso, recorder, baroque oboe, hichiriki, 2 stands of percussion, kotos, harpsichord, choir organ, 2 violins, 2 viole di gamba)

    2.  « Secret d’un paysage », « Secret of a landscape », for solo violin and a group of 17 musicians

(shino-bue, traverso, shakuhachi, baroque oboe, baroque bassoon, 2 stands of percussion, biwa, koto, amplified harpsichord, 1 solo violin, 2 baroque violins, 2 baroque violas, 2 baroque cellos, 1 baroque double bass)

with  Aki Sawa, solo violin, the Muromachi Ensemble and Hiroaki Takaha, conductor.
 

Monday, February 12, 2018 at 5:30 pm

 

Ecole Normale de Musique de Paris, Salon Munch : concert by students of Christine Marchais (first sight reading) and Edith Lejet (composition)
"Gravir" for Alto Saxophone and Piano, by Christine Marchais and Marc Sieffert.

 

Sunday, March 25, 2018 at 4 pm

 

Association ‘Femmes et Musique’ Afem ('Women and Music' Association)
International Conservatory (75017 Paris)
Fleurs d’opale” ("Opal flowers") for piano, by Marie-Cécile Milan

 

Friday, March 30, 2018 at 7:30 pm

 

Annual concert of the teachers of the Ecole Normale de Musique de Paris
Cortot Hall

“Fleurs d’opale” ("Opal Flowers") for piano, by Kanae Endo
 

Wednesday, May 9, 2018, at 12:30 pm

 

Cortot Hall, 78, rue Cardinet, 75017 - Paris
Series: “concerts at 12:30 pm”
“Fleurs d’opale” ("Opal Flowers") for piano, by Kanae Endo

 

Tuesday, May 15, 2018

 

Regional Conservatory of Reims
«Edith Lejet: birth of a work»
1) 16 H to 18 H 30: public master-class with students:
- “Emeraude et rubis” ("Emerald and rubies") for two flutes
- “Trois petits préludes” ("Three small preludes") for saxophone and piano
- "Jade" for saxophone and percussion
-“Contrastes” et “Couleurs” ("Contrasts” and" Colors") for guitar
- "Fulgurances" for harp
- "Metamorphoses" for harp

2) 20 H: concert-portrait
- "Almost a song" for viola and guitar, by Roberto Aronica and Franck Ladouce
- “De lumière et de cieux embrasés” ("Made of lights and ablaze skies") for harp, by Elodie Reibaud
- « Gémeaux » (Gemini) for guitar, by Franck Ladouce
- ‘’Les ombres du souvenir’’ ("The shadows of memory") (creation) for flute, viola and harp, by the Trio "Les connivences sonores" (dedicatee): Odile Renault, Roberto Aronica and Elodie Reibaud

 

Month of June 2018

 

"Fulgurances" for harp is imposed at the entrance examination at CNSM de Lyon.

 
 

Participation in panels of committee and jury members

 
« Marcel Bleustein-Blanchet pour la Vocation »  Foundation
 

October 2017

 

Member of the jury for the awarding of the 2017 study grants.

 
At the « Conservatoire National Supérieur de Musique
de Paris » (CNSMDP)
 

September 26 and 27, 2017, October 9 and 10, 2017

 

Composition: prize awards

 

June 14th and 15th, 2018

 

Writing, music of the 20th and 21st centuries: prize awards

 
Participation in commissions
 

June 19, 20, and 21, 2018

 

Member of the National Commission for Assigning Aids to the Writing of Original Musical Works (State commissions).

 

Teaching Composition at the Normal School of Music (Ecole Normale de Musique de Paris, Alfred Cortot)

 

Monday, February 12, 2018, at 5:00 p.m.

 

Charles Munch Lounge, 114 bis, boulevard Malesherbes, 75017 – Paris
Concert dedicated to pieces composed by students of Composition (class of Edith Lejet) in collaboration with instrumentalists from Christine Marchais’ class (first sight reading).

 

Wednesday, May 9, 2018, at 12:30 p.m.

 

Cortot Hall, 78, rue Cardinet, 75017 Paris
Annual concert dedicated to pieces composed by the students of Composition

 

Thursday, May 10, 2018, at 2 p.m.

 

Cortot Hall, 78, rue Cardinet, 75017 - Paris
Master class given by musicians from the "Ensemble Alternance", in the form of a first sight reading concert with pieces composed by the students of Superior and Perfecting levels (classes of Michel Merlet and Edith Lejet).